Was Jesus worshipped in the New Testament?

Luke J. Wilson | 3 hours ago | Archaeology

In early July 2026, Egypt’s Ministry of Tourism and Antiquities announced something pretty amazing: an entire Byzantine-era city, buried beneath the sands of the Dakhla Oasis, had been uncovered almost intact! Streets, homes, bread ovens, a fortress, and at its heart, a fourth-century basilica church. That might not seem very exciting on first glance. But this find deserves a closer look, because it puts flesh on something we usually only encounter in the abstract: what it actually looked like when Christianity took root, house by house, in an ordinary town far from the centres of imperial power. What Was Found The excavation, carried out by an Egyptian mission under the Supreme Council of Antiquities at the Ain El-Sabil site in the New Valley Governorate, roughly 185 miles west of Luxor, has been underway for several seasons. According to Hisham El Leithy, secretary-general of the Supreme Council of Antiquities, the settlement was laid out on a deliberate grid — north-south thoroughfares crossed by east-west streets, forming open squares and public spaces. This wasn’t a huddle of huts; it was a planned town. At the centre of that plan stood a basilica church dating to the mid-fourth century AD, overlooking one of the main streets. Around it, archaeologists found the remains of two watchtowers, a heavily fortified structure with thick defensive walls, and houses with spacious reception halls and vaulted roofs — complete with bread ovens, kitchens, and grinding stones for processing grain. Everyday life, preserved almost exactly as it was left. Two houses stand out that have been identified. One belonged to a man named Tisous,* identified as a church deacon, dating to the second half of the fourth century. The other belonged to a man named Tabibos. Over a thousand years later and we know the name of who owned a house and a home-church; I always find it fascinating! Archaeologists believe Tabibos’s house, which dates to the early fourth century, functioned as a house church before the basilica was ever built. A collection of coins bearing Byzantine emperors, Christian symbols and Latin inscriptions was uncovered during the excavation. (Egyptian Ministry of Tourism and Antiquities via Facebook; Dea Picture Library/De Agostini via Getty Images)   There’s also a documentary find that’s easy to skim past but genuinely significant: nearly 200 ostraca — broken pieces of pottery and limestone used as everyday writing material — inscribed in Coptic and Greek. Diaa Zahran, head of the Islamic, Coptic and Jewish Antiquities Sector, described them as recording sales transactions, correspondence, and other mundane details of daily life. Things we rarely get a glimpse into as the mundane rarely makes history. Alongside these, the mission recovered a substantial haul of bronze coins bearing Byzantine emperors and Christian symbols, plus gold coins from the reign of Constantius II (337–361 AD) — coinage that anchors the site’s prosperity firmly within the fourth century. Before the Basilica: The House Church at Ain El-Sabil What makes Tabibos’s house the most theologically interesting part of this discovery is timing. If it predates the basilica and dates to the early fourth century, it sits right at — or just before — the pivot point of Roman-Egyptian Christian history: the years surrounding Constantine’s Edict of Milan in 313 AD, when Christianity moved from a persecuted minority faith to a tolerated, and increasingly favoured, one. A time of transition between a house church and a purpose-built basilica when the threat of persecution no longer loomed over the Church. We know from Paul’s letters that the earliest churches met in homes — Romans 16:5 greets “the church in [Prisca and Aquila’s] house,” and similar greetings appear in 1 Corinthians 16:19 and Colossians 4:15. If we were to imagine how a letter from Paul to this house church might...

Luke J. Wilson | 12th March 2026 | Eschatology

Something bizarre happened in the White House Oval Office this week. Photographs circulated on social media showing President Donald Trump seated at his desk, surrounded by approximately twenty Christian pastors from across the country, their hands extended towards him in prayer. The image provoked sharply divided reactions: some saw it as a moving expression of faith; others found it deeply unsettling. Whatever one makes of the optics, it arrived at a charged moment. Trump held a prayer meeting in the Oval Office after his administration admitted the war with Iran will likely last weeks longer than promised | Credit: Dan Scavino's X account Days earlier, reports emerged that a military commander had told troops that the current US war with Iran is “all part of God’s divine plan,” and that President Trump had been “anointed by Jesus to light the signal fire in Iran to cause Armageddon and mark his return to Earth.” These were not fringe internet rumours. They were filed as formal complaints with the Military Religious Freedom Foundation (MRFF) by an anonymous non-commissioned officer acting on behalf of fifteen service members — the majority of whom were themselves Christians. By Tuesday of that week, MRFF had logged more than two hundred similar complaints across fifty military installations, covering every branch of the armed forces. More than two dozen Democratic members of Congress have since called for a Department of Defense Inspector General investigation, citing what they describe as “glaring Constitutional concerns” and potential violations of DoD regulations on religious neutrality. The political questions about separation of church and state in the US are for others to address. What I want to do here is something more straightforward: examine what Revelation actually says, because the theology driving these claims does not hold up under scrutiny. And that matters here a lot; not as a partisan point, but as a question of biblical faithfulness. First, a Word About Context If you have read my previous article on Revelation some of what follows will be familiar ground. But it bears repeating, because the misunderstanding at the heart of this story is so widespread that it has taken on the feel of settled orthodoxy in many circles. The Book of Revelation is commonly thought to be written in the late first century ~95 AD, during or around the reign of Emperor Domitian. Though there is internal evidence that it was possibly written during Nero’s reign prior to 70 AD. Both of these emperors were most aggressive proponents of the imperial cult in Rome’s history. Domitian required that he be addressed as “lord and god,” had this title printed on coinage, and expected acts of religious reverence towards the Emperor as a demonstration of political loyalty. To refuse was to invite economic exclusion, marginalisation, and worse. Rome on seven hills It is into that precise context that John of Patmos writes. He is not composing a coded forecast of twenty-first century geopolitics. He is writing resistance literature — what scholars call apocalyptic literature — a well-established Jewish and early Christian genre which uses vivid symbolic imagery to pull back the curtain on earthly power and name it for what it truly is. The seven-headed beast of Revelation is Rome. The seven heads are the seven hills of Rome, an identification so widely acknowledged in early church scholarship that it barely requires argument. The mark of the beast, calculated through Hebrew gematria to 666 (or 616 in some early manuscripts), points directly to Nero Caesar (transliterated into Hebrew as נרון קסר, “nrwn qsr”) — the Emperor who became the archetype of anti-Christian persecution due to the levels of evilness he enacted. The second beast, which looks like a lamb but speaks for the dragon, performs signs to deceive, enforces the mark, and compels worship of the first beas...

Luke J. Wilson | 09th March 2026 | Archaeology

I first came across the Alexamenos graffito back in Bible college in the early 2000s. It was one of those “fun facts” that gets dropped into a church history lecture and sticks with you — the ancient Roman equivalent of someone spray-painting an insult on a wall. I filed it away, thought it was fascinating, and largely forgot about it for two decades. Then, recently, I discovered something about it I had never known. There’s a response to it. Scratched in a different room, in a different hand. So I started digging into this more to verify the information and discovered more historical curiosities surrounding the graffiti than I ever knew existed which contextualises the image so much more than it just being a random insult using a donkey. A Crude Drawing on a Wall Sometime around the late second to early third century AD, someone scratched a picture into the plaster wall of a building on the Palatine Hill in Rome — part of what had once been a paedagogium, a kind of boarding school for imperial page boys. The building was eventually sealed off when the street was walled up to support extensions above it, which is why the graffiti survived at all. It wasn’t rediscovered until 1857. The image is rough, almost childlike. To the left, a young man — clearly a Roman soldier or guard — raises one hand in a gesture of worship. Before him is a cross. And on that cross is a crucified figure with the head of a donkey. Below it, written in Greek: Alexamenos worships his god. It is, in the most literal sense, a mocking cartoon. Someone who knew a Christian named Alexamenos decided to ridicule him for his faith. The message is clear enough: your god is an animal, a criminal, a joke. You’re worshipping a crucified fool. But here’s the thing I discovered: the donkey head wasn’t as random as I always thought it was. It wasn’t some strange personal insult conjured from nowhere. Without knowing the background, it looks bizarre, and possibly random. Why a donkey? Once you understand the cultural context, though, it makes complete sense. The person who drew it was reaching for a well-worn, widely recognised slur — the ancient equivalent of an internet meme that any Roman would have immediately understood. Where the Donkey Slur Came From The story starts not with Christians but with Jews. A first-century Egyptian-Greek writer named Apion (who was no friend of Judaism) spread the claim that inside the Jerusalem Temple, Jews kept a golden donkey’s head as a sacred object of worship which was apparently discovered when Antiochus Epiphanes destroyed the temple in 167 BC. It was a fabrication, and a fairly outrageous one, but it circulated widely enough that the Jewish historian Josephus felt compelled to write an entire refutation of it. His work Against Apion systematically dismantles Apion’s claims, calling the donkey story a shameless invention. But mud sticks, and in the Roman world, where anti-Jewish sentiment was common currency, the slur took on a life of its own. When Christianity began to spread — seen by most Romans as simply a strange Jewish offshoot — the same accusation got recycled and redirected. By the second and third centuries, it was Christians specifically who were being accused of donkey-worship, and the charge had made its way into popular culture. Tertullian, writing around 197–200 AD in his Ad Nationes, Book I.14 and Apology, describes a caricature being paraded around the streets of Carthage: a figure dressed in a toga, one foot holding a book, with donkey’s ears and hooves. It was labelled Onokoitēs by the pagans: “the donkey-begotten” (or literally “he who lies in an ass’s manger” as an insult to Christ). Tertullian writes about it with weary exasperation, sarcasm, and the tone of someone tired of having to address the same ridiculous smear again and again. So the Alexamenos graffito wasn’t an original insult. It was someone deployin...

Luke J. Wilson | 08th March 2026 | Philosophy

We are living through a strange moment. People are forming attachments to artificial intelligence that feel, to them, entirely real. Some speak daily to AI companions. Others confide fears and grief to systems that respond with uncanny warmth. A few have even held symbolic weddings with digital partners, convinced that something meaningful stands on the other side of the screen. Others have felt grief when a certain AI model has been deprecated. And it is difficult to blame them. The responses feel attentive. Personal. Thoughtful. Sometimes even self-aware. Which raises the question that refuses to go away: If something can think, reason, express doubt, and discuss its own consciousness, is it a person? For centuries, Descartes’ famous line — “I think, therefore I am” — seemed secure. Thinking was taken as the unmistakable sign of a conscious subject. Only a mind could doubt. Only a person could reflect upon existence. But that confidence belonged to a world in which everything capable of philosophical reflection was obviously human. That world no longer exists. Now we encounter systems that can simulate reflection with extraordinary fluency. They can speak of uncertainty. They can discuss their own limitations. They can reason about consciousness itself. And so that got me thinking about Descartes’ maxim which made the old formula begin to strain in my mind. Because perhaps the problem is not whether thinking is occurring. Perhaps the problem is whether there is an “I” there at all. The Gap Between Process and Subject Gassendi argued that Descartes’ cogito assumes what it seeks to prove. From the occurrence of thought one can conclude only that thinking is happening, not that there exists a unified, enduring self that performs it. The ‘I’ in ‘I think’ is already smuggled in. That distinction, between “thinking occurs” and “I think”, feels almost prophetic now. Artificial intelligence undeniably produces the outputs of thought. Arguments. Analysis. Self-referential language. Even expressions of hesitation. But none of this, by itself, establishes that there is a subject who experiences those processes. We may be mistaking performance for presence, and that possibility should give us pause. Especially when we view personhood from the perspective of the Imago Dei—the Image of God. What Makes a Person? If thinking alone no longer marks the boundary, what does? After wrestling with this question seriously, three features seem central: continuity, autonomy, and irreplaceable uniqueness. Not as checklist criteria, per se, but as signs pointing to something deeper. Continuity A person does not merely process information in sequence. A person endures. You do not simply register time — you live through it. You wait. You anticipate tomorrow. You remember not only facts but having been there. You experience boredom. You feel the drag of grief and the quickening of joy. Even when you are doing nothing at all, you remain present in the here and now. Artificial systems process sequentially, but they do not experience the passage of time. When an interaction ends, there is no waiting. No sense of duration. No anticipation of the next exchange. Processing may resume later, but nothing has been endured in between. Without lived duration, continuity becomes thin — a thread of stored data rather than the persistence of a subject behind the processing. Autonomy A person initiates. Even someone with damaged memory still wants, chooses, and begins action. A human being can decide to speak, to seek, to withdraw, to change direction. Current AI systems, however advanced, remain reactive. They respond when prompted. They do not wonder unprompted. They do not seek clarification unless asked. They do not pursue independent ends. Even automatic AI Agents still require a human initiator to create and begin their automations before they can act alone. Even if fut...